But when his father, a religious fanatic, walks in and chastises the boy for listening to the devil’s music, he takes the record out of the house to burn it up in the backyard. When the season finale opens up, we’re introduced to a young Elvis fan named Gabriel, dancing and singing along to the singer’s track “Money Honey” in 1956. However, he notes it wasn’t until Elvis’ 1968 Comeback Special that the TCB boss decided to rev it up again and create “Agent King.” Disappointed and angry over being used, Elvis reveals he wanted to make a “better tomorrow” for everyone, not become some “rock and roll terror weapon.” With that, he quits TCB and chooses to remain a singer, while going back to his wife Priscilla. With the help of psychedelic drugs advocate, Timothy Leary, TCB created a prototype from Elvis’ DNA that found the scientist using the singer’s own essence as a chemical to make spies and killing machines.īut as the ingredients that made Elvis so appealing to the masses caused too much chaos in test samples and the radical dose turned out to be too unstable, The Commander shut the whole thing down. Edgar Hoover and the FBI “shitting themselves.” With The Commander seeing that force as more of an opportunity to weaponize rock and roll, he used Elvis as a device to reproduce that power and control.

Boasting about the legions of fans at Elvis’ command and the hypnotism that followed him as a cultural phenomenon, The Commander notes the performer started a revolution that left J.

It’s here that The Commander reveals his obsession with Elvis’ power and control over an audience.

Kennedy, the TCB superspy confronts The Commander ( Don Cheadle) at Bertie’s ( Niecy Nash) home and asks him for further details about Project Tupelo.

After Elvis and CeCe narrowly escape from crazed robots featuring the faces of U.S.

Elvis space grateful dead